“The extraordinary range of timbres and textures that you managed to create within the score … an immensely varied palette of sounds that nonetheless cohered into a beautifully paced and meticulously shaped whole.”
- Richard Giarusso
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My River Runs to Thee for solo guitar (2021), 8’
Behind the Stage for alto saxophone (2020), 8’
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Until, Until Still Remains, for tenor and ukulele (2023), 6’
Stone Don’t Speak/石头不言 for Debussy Trio (2023), 13’
Tripping in Beige for b.cl, bsn, hn, e.gtr (2022), 9’
Ultramarine for string quartet (2022)9’
The Worry Jar for pipa and erhu (2022), Facing Death ,8’
Facing Death for fl, cl, The Worry Jar vl, vc, vib, pf (2020), 6’
The Strange of Passion Have I Known for piano trio (2020),5’
Meng/氓 for clarinet, violin and piano (2018),6’
Walking Shadow for piano trio (2017),5’
The Joy of Hometown/乡趣 for piano quintet (2017), 6’
Difference for string quartet (2016), 5’
Forest Dance for wind sextet and marimba (2016), 5’
Floating Second Hand for cello and piano (2016), 5’
Herbs/ 芳草 for erhu and piano (2016), 3’
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Into the Red for fl, ob, cl/b.cl, alto sax, hn, pf,hp, 2vl,vla,vc,2pcn (2021), 13’
Rotation, for picc, fl, ob, cl, bsn, tpt, hn, tbn, tba, pf, hp, 2vl, vla, vc, cb, 3pcn（2019),8’
Star Trajectory for fl, cl, bsn, glock, pf, 2vl, vc (2017), 5’
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Insomnia Moon, for audio and visual
Many Many Drizzle, for pipa and electronics
The Type, for soprano, piano, and playback electronic (2022), 6’
Dreamy Walk, for laptop ensemble (2020), 8’
Improvisation I. for live electronic (2022), 9’
Improvisation II. for live electronic (2022), 10’
The Hollow Man, for tenor and playback electronic (2020), 3’
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Said the Blind Woman for soprano (2022), 2’
The Type, for soprano piano, and playback electronic (2022), 6’
Not I, for soprano and chamber ensemble (2021), 7’
Three Ways, for two sopranos, mezzo-soprano, and chamber ensemble (2020), 9’
Persona, for two sopranos and piano (2020), 3’
When I Heard at the Close of the Day, for soprano and piano (2020), 2’
The Hollow Man, for tenor and playback electronic (2020), 3’
Dedication, for solo soprano, tenor, bass and piano (2018), 6’
Dianjiangchun, for soprano and piano (2017), 3’
I Love You, for soprano and piano (2015), 3’
Sign, for soprano and piano (2015), 3’
Song of Plum Blossom and Snowflake, for soprano and piano (2015), 3’
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Xiaokanxi/小看戏, for vocal quartet (2017),5’
Snow County/雪乡 for choir (2016), 4’
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Serenade of Peaceful Joy/清平乐 for 2guzheng, 2pipa, 2erhu, dizi and ruan (2022), 6’
Chunxiao/春晓, for soprano, pipa and string quintet (2019), 5’
Manjianghong/满江红, for baritone, pipa, guzheng, perc, and string quintet (2019), 3’
Yijiangnan/忆江南, for soprano, dizi, pipa, guzheng and string quintet (2019), 4’
Colorful Clouds Chasing the Moon/彩云追月, for Chinese orchestra (2019), 4’
Song of the Motherland for orchestra (2019),4’
Sonata in E Minor Op.7 movement III of Edvard Grieg, for orchestra (2018), 4’
Chanson d’ Amour of Gabriel Urbain Fauré, for solo soprano, mar, pf and string quartets (2018), 3’
Barcaiuolo of Gaetano Donizetti for tenor, fl, vl, glc,pf (2018), 3’
Trepak of Modest Mussorgsky, for tenor, picc, fl, cl, pf, vc (2018), 5’
Widmung of Robert Schumann, for tenor, fl, cl, hn, pf (2017),3’
Tu Mancavi a Tormentarmi of Pietro Antonio Cesti, for soprano, fl, pf, vc (2017), 5’
Shimmer of Sunrise/晨曦 for Chinese and Western chamber ensemble (fl, cl, vl, erhu, vc, 2gtr, guzheng, pipa (2017), 5’